Classicism1650
Landscape with Orpheus and Eurydice
Nicolas Poussin
Curator's Eye
"Orpheus playing the lyre on the left, Eurydice bitten by the serpent in the center, and black smoke rising from Castel Sant'Angelo."
A Stoic allegory where the tragedy of Eurydice fades into the majesty of an ideal and immutable landscape.
Analysis
Landscape with Orpheus and Eurydice, painted by Nicolas Poussin around 1550, is the archetype of the classical landscape. It illustrates the myth of Orpheus, the divine poet, at the precise moment when his wife Eurydice is bitten by a snake hidden in the grass. The scene unfolds in a nature of absolute serenity, creating a striking contrast with the silent horror of the drama. Orpheus, absorbed by his music, does not yet see fate shifting, while Eurydice utters a cry that no one hears, illustrating the fundamental solitude of being in the face of death.
Stylistic analysis reveals the rigor of Poussin's "manner." Unlike tormented Baroque landscapes, everything here is order and measure. The historical context is that of the artist's Roman maturity, imbued with Stoic philosophy. Nature is not a backdrop but a rational and divine order that remains indifferent to human passions. The style is characterized by crystalline clarity, where every tree, rock, and cloud seems to have a place assigned by reason. It is an intellectual painting that addresses the mind as much as the eye.
Mythologically, Poussin explores the duality between universal harmony (symbolized by Orpheus's lyre) and accidental chaos (the serpent). The explanation of the myth focuses on the idea that even the most perfect art cannot exempt man from the natural law of death. Secondary figures—fishermen, bathers—continue their daily activities, ignoring the princely drama. This psychology of indifference is a lesson in ancient wisdom: the world does not stop turning for an individual tragedy.
Poussin's technique rests on construction through successive planes, using very defined local tones. The use of light, though soft, structures the space and guides the eye toward the architectural background inspired by Rome. Antique buildings, notably the silhouette of Castel Sant'Angelo, anchor the myth in a perennial historical reality. The brushwork is precise, almost sculptural, refusing overly visible brush effects to prioritize form legibility and vision stability.
One of the most intriguing secrets of this canvas is the presence of black smoke rising from a building in the center of the background. Scientific analyses suggest this smoke could be an omen of the underworld where Eurydice is about to descend, or a reference to a real fire that marked Rome at the time. Another mystery lies in the expression of the faces: while Eurydice is terrified, the other characters seem frozen in total ataraxy. Recent restorations revealed that Poussin had initially planned a much more visible snake before partially concealing it to force the spectator to search for the cause of the drama.
Join Premium.
UnlockQuiz
Which anachronistic architectural element did Poussin include in the background to evoke the "Ideal Rome"?
Discover

